| Gorillaz | 
 enlarge | Artist: Gorillaz
Label: Virgin Records Us
Category: Music
List Price: $18.98
Buy Used: $2.40
You Save: $16.58 (87%)
New (44) Used (53) from $2.40
Avg. Customer Rating:  356 reviews
Sales Rank: 2311
Format: Enhanced, Explicit Lyrics
Media: Audio CD
Discs: 1
Shipping Weight (lbs): 0.2
Dimensions (in): 5.6 x 5 x 0.5
MPN: 33748
UPC: 724353374808
EAN: 0724353374808
ASIN: B00005LMBK
Release Date: June 19, 2001
Availability: Usually ships in 1-2 business days
Condition: :) FREE UPGRADE TO FIRST CLASS SHIPPING - CD ? only no art work ? great condition but CD?s are sold as it because they are so easy to copy. 12/23
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| Tracks:
| • | Re-hash | | • | 5/4 | | • | Tomorrow Comes Today | | • | New Genious (Brother) | | • | Clint Eastwood | | • | Man Research (Clapper) | | • | Punk | | • | Sound Check (Gravity) | | • | Double Bass | | • | Rock The House | | • | 19-2000 | | • | Latin Simone | | • | Starshine | | • | Slow Country | | • | M1 A1 | | • | Dracula | | • | Left Hand Suzuki Method |
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| Editorial Reviews:
Amazon.com's Best of 2001
The Gorillaz claim to have found their motley crew of cartoon characters sleeping in Leicester Square, but Blur's Damon Albarn (a.k.a. 2-D) and cult cartoonist Jamie Hewlett (Murdoc) aren't fooling anyone. As the ultimate experiment in manufactured image, the Gorillaz are a virtual cartoon-character-based hip-hop band who bring together witty, silly lyrics and talented musicians. Infectious old-school hip-hop rhythms, rhymes, and effects courtesy of Deltron 3030's Kid Koala and Del Tha Funkee Homosapien (Russel) are combined with Albarn's passion for chugging lo-fi and edgy melodies to create a seemingly raw but ultimately slick blend of styles. This is nowhere more evident than on the hit single "Clint Eastwood," which is carried along by the sound of 2-D's slurred voice and a bluesy harmonica melody interrupted by Russel's punching rhymes. But the surprises don't stop there: Ibrahim Ferrer's appearance on "Latin Simone" could have come straight from Buena Vista Social Club but for the obvious Blur-influenced piano style, while the spooky intro to "M1 A1" wouldn't sound out of place on Michael Jackson's Thriller. Backed by Jamie Hewlett's death-wish character on bass, Cibo Matto's Miho Hatori (Noodle) on guitar and occasional hyperactive vocals, and produced by Dan "the Automator" Nakamura, it's hardly surprising that Gorillaz is marked both by a sense of playfulness and a passion for experimentation. --Caroline Butler
Amazon.com
< Gorillaz Photos More from Gorillaz
Demon Days | 
G-Sides | 
Spacemonkeyz Vs. Gorillaz: Laika Come Home | 
Gorillaz - Phase One - Celebrity Take Down | 
Gorillaz - Phase Two - Slowboat to Hades | 
Demon Days Live |
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| Customer Reviews: Read 351 more reviews...
 reunited after all these years January 9, 2009
I first heard this gorillaz self-titled album back in 2002. This is by far one of the best cd's I've ever heard- what I love most is that every single track is solid. Each can stand on its own, and together it makes for quite a pleasant listening experience. My original copy slowly dwindled down to being a scratched, well worn and certainly well loved, but ultimately unlistenable piece of junk that I sadly had to throw away. I added it to my wish list and my bestest friend in the world got me a shiny new copy for christmas. I am overjoyed to finally be reunited with one of the best albums ever produced.
Now I can finally be prepared to "rock the house" once again.
Thank you, Amazon Wish List!
Electronica Music January 1, 2009
I have always liked Gorillaz music since the song "Clint Eastwood". This CD is great to go cruising around with or just to have in the background to keep the energy going. I really think its unique and they are creative. I literally cannot get enough of this CD because its so good!
 A Decent, Avant-Garde Listen, but Inconsistent October 26, 2008
Gorillaz is definitely one of the more noticeable musical experiments of the passing decade. The idea of a cartoon character band, devised by Blur's Damon Albarn and comic book artist Jamie Hewlett ("Tank Girl"), was enough to catch my interest. The music that sprung from this unusual premise of a 'band' caught my ear, as well. This namesake album covers a wide variety of genres - everything from soul-funk to hard rock, psychadelic keyboard strolls to Latino-jazz.
The album features a number of quite interesting and compelling musical pieces. "5/4", with a beat inspiring the title, is a very sultry song fusing guitar and keyboards almost deliberately brutally, and the result is very compelling. Most will recognise "Clint Eastwood" with its instantly-catchy chorus. "Punk" is a short but highly energetic track with a title that couldn't be more appropriate. "19-2000" sounds really space-y and cool (I still love the video for that one). "Latin Simone" is such a stark departure from the rest of the songs, one might think Buena Vista Social Club had leaked a track onto the album; a truly beautiful, melancholic Latin-jazz piano melody, soulfully sung by Ibrahim Ferrer himself. Experimentation this album is.
However, in experimentation it also falls somewhat short. The melodies are quite good - the problem is that the cartoon band image doesn't make sense when one considers the melodies and instrumentation used for them. Guitar melodies are rare and in-between, and this makes Noodle's character almost pointless. Especially on the all-rap, trumpeted "Rock the House" (still my least-favourite track) does this make no sense at all. Don't get me wrong, I do like some songs on this album very much - "5/4", "Punk", "Double Bass" and "Latin Simone" in particular - yet the album just seems to lack 'spunk'. It's all there in the cartoon image, yet falls a little short music-wise - "Rock the House" is little more than sub-par filler stuff that doesn't even support the band's image, and the remix of "Clint Eastwood" just doesn't support itself. A good thing about this re-edition is the inclusion of b-side "Dracula" ("Left-Hand Suzuki Method" is an acquired taste) and the popped-up version of "19-2000". Not enough to save this album's overall spirit, though.
Maybe I'm being nit-picky. This isn't the album of the decade, but it's still a decent experimentation that proved highly popular, and for a reason. "Demon Days" would draw out the full potential of this musical unit with far more personality.
Ape technology February 13, 2008
1 out of 1 found this review helpful
At first glance, Gorillaz seems to be a novelty throwaway. After all, it IS a virtual band, comprised of cartoon characters, and the music sounds exactly like one would expect from a fusion of Damon Albarn and Dan the Automator: Brit-pop meets hip hop (Brit-hop?). So a side project? Perhaps, but with Blur virtually defunct, what else can Albarn do?
Truthfully, Gorrliaz debut is better than one might expect, and isn't that far off from the musical style of Blur's last (upcoming, then) album, "Think Tank." As a result, it succeeds more often when Damon overtakes the production. "Slow Country," "Tomorrow Comes Today," and "M1 A1" particularly stand out as winning moments in the collection, not to mention the irresistible groove of instrumental, "Double Bass," and the very fun hit, "Clint Eastwood." The sensation that you're listening to a debut album is clear; it has all the tendencies of a side project, all the way to the realized freedom of exasperated brain childs discovering an outlet to channel their more off-kilter tendencies. "Demon Days" is a narrowly better album, but those looking for some alternative hip hop experiments, both Gorillaz studio LPs fit the bill.
Better than the album, though, is the virtual part, including winning creations by "Tank Girl" creator, Jamie Hewlitt; the music video for "Clint Eastwood" is terrific.
Best cuts: "Double Bass," "Clint Eastwood," "Tomorrow Comes Today," "M1 A1," "Slow Country," "19-2000," "Re-Hash," "Man Research (Clapper)," "New Genius (Brother)," "Rock the House"
(3.5 stars) An interesting combination of styles February 3, 2008
3 out of 3 found this review helpful
While I think that Gorillaz' second album, Demon Days, is their best, I also enjoy their self-titled debut. It's definitely a different beast Demon Days, a dense, dark, swirling concoction. The production here is much looser and stripped down. And it reaches higher heights than its successor, including my two favorite Gorillaz songs: the trip-hop experiment "Clint Eastwood" and the funky, screwed-up "Rock the House", both featuring Del the Funkee Homo Sapien's memorable raps.
The interesting thing about this album is that it's like a pop album made by someone who's just the slightest bit insane. Not in the totally lost, Syd Barrett sense, but you know, just a bit out there. See, the tunes are hummable, but there's an aura of weird about each of them. Some, such as "Rock the House" and "Tomorrow Comes Today", have weird instrumentation. Others, like "Re-Hash", "5/4" (with a refrain of "SHE TURNED MY DAD ON!" that you might find yourself singing under your breath without noticing it... until the people start staring, of course), and "19/2000", have odd lyrics. While "Rock the House", "Tomorrow Comes Today", "Re-Hash" and "5/4" are definitely highlights, I'm not a huge fan of the "album" take on "19/2000". I love the frenzied Soulchild remix, though. If you ask me, that should've been the album mix. The "album" take is all right, but doesn't convey the party atmosphere as well as the up-tempo take does.
There are other good songs, too: the trip-hoppin' "New Genious (Brother)" (sic), the house-influenced "Sound Check (Gravity)", and the bass solo "Double Bass", as well as the eerie regional bonus track "Dracula" (with bizarre lyrics like "Santa Claus told a lie") and the off-kilter "Left Hand Suzuki Method". But after "19/2000", the album turns crap and stays there for the last four tracks. For a first, "Latin Simone (Que Pasa Cognito)" sucks. Gorillaz try to reinvent themselves as a mariachi band there. Needless to say, it doesn't work out, and it might be the worst song they ever made. "Starshine" and "Slow Country" are awful as well, and the experimental metal "M1 A1" needs to go too. I'm also not big on the "weird-for-weird's-sake" "Man Research (Clapper)", and I don't care if "Punk" is only a minute and a half long, it sucks.
This is an interesting album, even if Gorillaz would do better on Demon Days. It's very creative, and like I said in my Demon Days review, I love how much effort Damon Albarn and Jamie Hewlett (the masterminds behind the project - Damon plays most the instruments, and Jamie designed the four "band members") put into fleshing out the four virtual members of Gorillaz, vocalist 2D, guitarist Noodle, bassist Murdoc, and drummer Russell. Good job!
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