| Live & Rare | 
 enlarge | Artist: Rage Against The Machine
Label: Sony Japan
Category: Music
List Price: $42.98
Buy New: $23.45
You Save: $19.53 (45%)
New (24) Used (13) from $19.40
Avg. Customer Rating:  57 reviews
Sales Rank: 68045
Format: Import, Live
Media: Audio CD
Discs: 1
Shipping Weight (lbs): 0.2
Dimensions (in): 5.6 x 5 x 0.5
UPC: 632427785323
EAN: 4988009836195
ASIN: B000006ZMC
Publication Date: 1997
Availability: Usually ships in 1-2 business days
Condition: BRAND NEW, JAPAN EDITION CD SPECIALIST. Direct export from origin, Japan. Will be shipped out within 2 or 3 working days and reach you in 1 - 3 weeks. Answer to E-mail in English only. All the DVDs we handle are the region code 2 in NTSC format.
|
| Tracks:
| • | Bullet in the Head - Rage Against the Machine, Rage Against the Ma | | • | Settle for Nothing [Live] | | • | Bombtrack | | • | Take the Power Back | | • | Freedom - Rage Against the Machine, DeLaRocha, Zack | | • | Intro (Black Steel in the Hour of Chaos) - Rage Against the Machine, Shocklee, H. | | • | Zapata's Blood | | • | Without a Face | | • | Hadda Be Playing on the Jukebox | | • | Fuck tha Police - Rage Against the Machine, Jackson, Oshea | | • | Darkness | | • | Clear the Lane | | • | Ghost of Tom Joad - Rage Against the Machine, Springsteen, Bruce |
|
| Similar Items:
|
| Editorial Reviews:
Album Description
Japanese 12 track import only collection features the rare cuts 'Darkness Of Greed', 'Clear The Lane' & a live cover of N.W.A.'s 'Fuck Tha Police', plus nine other rare & live tracks. 1997 Sony release.
Album Details
Exclusive Japanese Release Compiling Live Tracks Celebrating their Forthcoming Japan Tour, as Well as Other Live and Previously Unreleased Studio Tracks. Tracks Include: Darkness of Greed, Clear the Lane, F**k the Police, Bullet in the Head, Settle For.
|
| Customer Reviews: Read 52 more reviews...
 Correction on A. Stuheit "andreaabs" review June 23, 2006
3 out of 3 found this review helpful
I think he/she missed out on the track "Freedom" and thus confused it with "Intro(Black Steel In The Hour of Chaos)". That song is NOT "Freedom". The track that A. Stuheit was talking about where Zack shouts out "anger is gift", THAT is "Freedom".
It is "Into....Chaos" which is track 6 that features Chuck D and not "Zapatha's Blood". So the review that he/she was talking about for "Intro...Chaos" is for "Freedom" and the review that was on "Zapatha's Blood" is actually for "Intro...Chaos".
And by the way, this is one of the best live CDs of RATM ever. I have to agree with Stuheit that this live version "Bullet in the Head" is possibly even better than the original version. Tom is outstanding here.
Better than "Live at the Olympic!" October 30, 2005
21 out of 22 found this review helpful
"Live And Rare" is an import, so it's pricier and harder to come by than Rage's 2003 live album "Live At The Olympic Auditorium." But I still prefer this C.D. to that one.
One advantage, to me, is that frontman Zach de la Rocha talks to the crowd more, here, than on "Live at the Olympic." For instance, before track three begins, Zach tells the light man to get the spotlight out of his eye, then he gives a brief lecture to the crowd about the FBI conflicting with the American Indian Movement (and that Leonard Peltier was thrown in jail for "crimes he did not commit.") Zach also encourages the audience members to write a letter or fill out a pamphlet and send it to "Dixie Crack Clinton" (and "fill that punk's room full of mail").
If, for some reason, you don't like live songs, there are still the two rare studio songs at the end ("Greed" and "Clear The Lane"). Plus, the last four live songs ("Zapata's Blood," "Without A Face," "Hadda Be Playing On The Jukebox," and "F The Police") can't be found on any other Rage album.
The first five live tracks, which taken from Rage's self-titled debut, are all very powerful and great. Some moments are so emotional and urgent, they even make the studio songs seem tame. From the beeping guitar and bass notes to the wild, crazy guitar solo, "Bullet In The Head" is perfectly executed, and, I think, even better than the original! Plus, this song's chorus sounds like it has some backing vocals from Tom Morello. "Settle For Nothing" isn't quite as melodic and restrained as the studio song, but it is still performed very well. Thirdly, "Bombtrack" is played without a hitch. Tom pulls off the tempo change greatly and Zach's rapping is as fluid, fast, and consistent (he is able to rant and rage throughout the whole song without even pausing to take a breath.) This is also the case on the two following songs. Plus, I didn't realize this before, but "Take The Power Back" also features some great musicianship and trippy guitar work (so it must have been quite hard to perform this song live.) And track five, "Intro (Black Steel In The Hour Of Chaos") is actually the song "Freedom." On here, Zach doesn't just whisper "anger is a gift"...he yells it!
"Zapata's Blood" begins with the crowd clapping rhythmically. Then Zach introduces a surprise guest (Chuck D. from Public Enemy), who comes out and raps over Tom's wah-wah guitars. Zach also starts a chant of "Everything for everyone, and nothing for myself!"
Next, "Without A Face" begins with Zach comparing the Berlin wall to the wall that separates the U.S. and Mexico. He then explains that Rage wrote this song (which appears on their "Evil Empire" album) when they found out that 1,500 dead bodies have been found there. Zach, Tom, Tim, and Brad also perfectly execute this song.
With just one, repetitive guitar line, "Hadda Be Playing On The Jukebox" is, musically, pretty simple. But this song was not written by RATM; this song (which features lyrics like "the CIA and Mafia are in cahoots") was originally written by the poet Alan Ginsberg. It's a long song, too, so props to Zach for memorizing the whole thing.
Next comes a cover of N.W.A.'s "F The Police." It begins with Zach referring to the song as a "nice, friendly message," and he then dedicates it to the Philadelphia police department. And, with angry rapping and hip-hop sound effects, it seems like Rage were almost meant to play this song.
The first of two b-sides at the end is "Darkness." This song originally appeared on the "Crow" soundtrack. I'm a big Rage Against the Machine fan and even I'll admit that this song isn't that great. Fortunately the lyrics (which deal with governmental greed and lying) are very well written. The other rarity is "Clear The Lane," which has beeping, wah-wah guitars, a grumbling bass, surprisingly calm vocals, and is really quite catchy.
So, "Live And Rare" is a great buy which is absolutely essential for all Rage Against the Machine fans. If you're a diehard and you need another C.D. to listen to, and you don't yet own this...what are you waiting for? This is a pricey but very highly recommended album. And, as aforementioned, you should at least get this for the two rare tracks (even though they aren't Rage's best songs, they're required listening).
awesome August 9, 2005
4 out of 7 found this review helpful
Rage against the machine is has been one of the best rock band in the rock world.
I highly recomend live and rare.
The best of the best. July 8, 2005
5 out of 5 found this review helpful
I was always too young to go to a Rage show (thanks Mom) and by the time I could go they had broken up (thanks Zach's ego). This is the closest thing to actually being there or so I've heard. I own all of the albums and live DVDs and this is Rage at their most raw. Tom is still in his prime as a live performer and you can hear it on this record. He improvises on a few songs and just kills it. The band just flows so well together live that it almost sounds like a studio session. The rare tracks are good, but they are not even near the energy level of the live tracks. Plus, the album even features an Allen Ginsberg poem. True Rage fans have to own this to complete the collection.
Better than Live at the Grand Olympic Auditorium March 12, 2004
11 out of 11 found this review helpful
This "official bootleg" is a telling compilation of various Rage concerts throughout the mid-90s and may represent the final phase of "old school" RATM. What do I mean by old school? From the beginning up until the Evil Empire days, Rage's live concerts emphasized speech and wicked guitar improvisations. Oddly, this sense of adventurism faded out around the time BOLA was released... and it's quite obvious too. The "Bullet in the Head" solo on this disc destroys the one on Grand Olympic Auditorium. "Zapata's Blood" is a recognizable live track to any hardcore Rage fan and this may be the best performance of the song ever. The bonus demo cuts are pretty good, and "F*ck tha Police" is a wild ride. But the real treat is "Hadda be Playing on the Jukebox", an 8 minute poem that tells a story by its guitar work alone.This CD may not be as accessible to Rage newbies as Grand Olympic Auditorium, but will be an instant classic to true fans.
|
|
|
